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Download The Book of a Hundred Hands (Dover Anatomy for Artists)

Download The Book of a Hundred Hands (Dover Anatomy for Artists)

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The Book of a Hundred Hands (Dover Anatomy for Artists)

The Book of a Hundred Hands (Dover Anatomy for Artists)


The Book of a Hundred Hands (Dover Anatomy for Artists)


Download The Book of a Hundred Hands (Dover Anatomy for Artists)

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The Book of a Hundred Hands (Dover Anatomy for Artists)

From the Back Cover

Mr. Bridgman states unequivocally in his introduction that before preparing this book he had "not discovered a single volume devoted exclusively to the depicting of the hand." Apparently Mr. Bridgman has appreciated what few others have felt—the human hand's great capacity for expression and the care that the artist must take to realize it. The hand changes with the age of the person, is shaped differently according to sex, reflects the type of work to which it is put, the physical health, and even the emotions of the person. To represent these distinguishing features, to capture the expressiveness of a particular pair of hands, the artist must understand the construction, anatomy, formation, and function of the hand.There is probably no better instructor to turn to for this understanding than Mr. Bridgman, a well-respected artist who for nearly 50 years lectured and taught at the Art Students League of New York. In this volume, a full text is accompanied by many illustrations depicting virtually every aspect and posture of the human hand. He first considers the back view of the hand, the wrist bones, the tendons, the muscles, the hand bones, the arch, and the veins; and then those of the palm. Throughout he pictures the musculature at work beneath the surface of the skin. He continues by showing how the muscles operate on the thumb side and on the little finger side when each is the center of force; how the thumb and fingers are constructed, their freedom of movement, joints, and complete anatomy as well as views of them straight, bent, and flexed; how the knuckles are formed, what shapes the fist can take and how flexible it can be; and he concludes with illustrations of the total movement, either turning or rotary, of the hand in its various positions.The 100 illustrations the author has selected perfectly define the regions of the hand so that any artist, beginning or experienced, will increase his mastery of it. Better rendering of the human hand is sure to add new expressiveness to your human figures along with new forcefulness and new interest.Dover unabridged republication of the original (1920) edition.

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About the Author

Canadian artist George Brandt Bridgman (1865–1943) studied at the École des Beaux Arts in Paris and taught at New York City's Art Students League. Generations of students have learned the principles of anatomy and figure drawing from his books, which rank among Dover's most popular art instruction texts.

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Product details

Series: Dover Anatomy for Artists

Paperback: 192 pages

Publisher: Dover Publications; Revised ed. edition (June 1, 1971)

Language: English

ISBN-10: 9780486227092

ISBN-13: 978-0486227092

ASIN: 048622709X

Product Dimensions:

6.5 x 0.5 x 9.2 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

97 customer reviews

Amazon Best Sellers Rank:

#115,110 in Books (See Top 100 in Books)

BUY THIS BOOK--This should be the only sentence needed...if you were an intermediate-upper level artist/art student seeking to turn professional.I totally agree with one reviewer that if you were an amatuer photos would be much more appreciated. However for those who have had enough practices in model drawings, photos will not suffice. One would turn to a tutorial on specific subjects such as this book for further inspirations. Learning the structure of figures becomes far more important than knowing about understanding the mere display of body fat and collapses of muscles, until you finally hit the level when you have mastered all but fat and veins...which is a goal I'm striving to get to.So, on that basis, for me and people like me, this book is the BEST if you ever wanna cry over your sketchbook on that hideous pair of hands attached to some pretty neat arms. For those who knows lower arms well, there should be no difficulty figuring out what the poses are. Mr. Bridgman is a master and this book, coming with more drawings than instructions, is just a piece of eye candy. A hundred hands may not seem to be many drawings, but this book is so carefully knit that every single pose is challenging and inspiring. The instructions are, despite being so little, the best written words on hand structures I've read so far. Mind you, I have around ten books on body structures now, yet none achieves the same clarity and informative level as this one does.One final advice though, don't use this handbook as a go-to reference. Nobody has that perfect hand, and there are thousands of hand poses out there so don't expect to find the pose as exactly what you need. The key point is to read carefully and UNDERSTAND the structure as it is. This book is a tutorial, not a reference book. Google photos if you must.

The drawings are blotched and unclear, looking more like xerox copies of copies of copies, with a lot of smudges and pixelation. The layout is odd and unplanned- some of the pages are blank for no reason, and others have the type stop in the middle of the page and continue onto the next page, leaving large blank gaps with no purpose. The overall lack of quality distract from the actual content, what little of it there is. I was really hoping this would be an educational tool, but it’s a bit of a waste of time instead. I’m nowhere near being a talented professional artist, but I could make a better book with my crappy scribbles. I think the problem likely lies with the manufacturer, and that this is actually a knock-off as opposed to it being a fault with the author and artist.

As much as I wanted to like this book, it made me think about someone old with a shaky hand in a hurry trying to show me how to draw and then decided to turn it into a book. All of the hands look quickly rushed and sloppy and in a lot of poses, you can't even figure out what's going on anatomy-wise. Avoid this book. There isn't much to learn from it, it's just plastered with ugly drawings of the same hand. The drawings inside the book look a lot more terrible than the ones in the cover

Okay that sounds kind of corny for a title, but honestly I have drawn my entire life and only recently discovered this fine artist's body of instructional works. Just tonight while having coffee and sketching from this book, I was stopped... just put down the pencil and paused for a moment in sheer admiration of his wondrous and exceptional understanding of anatomy of the human hand. Then he takes it a step further by giving his drawings a fluorish not unlike that of the masters, yet always realistic, it just borders on poetic. See for yourself if this man does not stop you dead in your tracks and have you just gaping in admiration.

Bought this, hoping to improve the hands in my paintings, but am quite disappointed. Hand illustrations seem like they're from 500 years ago. They're small, kind of hard to see because they're printed rather lightly. They're also only passably well drawn and not terribly relevant for drawing from today. Hands are chubby and stubby. Would have preferred 100 photos of real hands to this. Get a small mirror on a stand and practice from life; you'll learn more.

Received this book today. I had hoped to use it as a reference when drawing hands myself. The hand drawings k are unclear and unrealistic. Some of the pages are upside down and backwards chronologically i.e. where page 97 should be, page 128 appears upside down, followed by 127, 126 etc. all upside until 96. Weird. Useless book.

I have several Bridgman books. They were recommended by art professors I know. If you want to know quickly how to accurately draw humans and body parts without getting too bogged down, these are the books to practice from. You will no doubt improve rapidly in your drawing skills.

This is a classic and a must have. If you are intimidated by drawing hands, work your way through this book and you will be able to punch any hand right in the face like a boss.

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