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Ebook Download Upright Citizens Brigade Comedy Improvisation Manual, by Matt Walsh Ian Roberts
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Upright Citizens Brigade Comedy Improvisation Manual, by Matt Walsh Ian Roberts
Ebook Download Upright Citizens Brigade Comedy Improvisation Manual, by Matt Walsh Ian Roberts
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The Upright Citizens Brigade Comedy Improvisation Manual is a comprehensive guide to the UCB style of long form comedy improvisation. Written by UCB founding members Matt Besser, Ian Roberts, and Matt Walsh, the manual covers everything from the basics of two person scene work (with a heavy emphasis on finding "the game" of the scene), to the complexities of working within an ensemble to perform long form structures, such as "The Harold" and "The Movie". A practical "how to" book, the guide provides exercises throughout to help the reader master each new concept and technique introduced. While the manual is written to be understood by beginners with no previous exposure to improvisational comedy, experienced improvisors will find it to be an excellent resource for honing their skills, clarifying concepts, and generally taking their work to a higher level.
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Product details
Paperback: 384 pages
Publisher: Comedy Council of Nicea (January 1, 2013)
Language: English
ISBN-10: 0989387801
ISBN-13: 978-0989387804
Package Dimensions:
8.8 x 6 x 0.9 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
189 customer reviews
Amazon Best Sellers Rank:
#10,278 in Books (See Top 100 in Books)
First things first: Buy this book.If you perform / write sketch or improv, then this book is for you. I have read at least a dozen improv books. Prior to this the best book I had read on improv was Scene: From the Inside Out by Mich Napier. I love that book. This is book is easily as good if not better. They teach slightly different methods and approaches.This may sound silly, but the actual physical weight of the book was fantastic. The book is heavy and feels so good like it is packed with knowledge.The contents of the book are rock solid. There are exercises to practice. Reasons and explanations about what to do and why and HOW. The structure is clearly explained. SUCH a good book. I have read so many improv books I was skeptical that they would have much to add. They have much to add and do so in a clear and concise way. If I was starting improv and looking to buy a book, this would be my first.
As a beginner improviser at the Dallas Comedy House (DCH), having just finished Level 3, this manual has been a great companion along the way. First and foremost, this manual does a fantastic job of keeping a common language among improvisers. Every instructional school uses different variations on mechanics and techniques to describe long-form improv; UCB's manual helps to cement that epistemology and taxonomy so that it becomes second-nature. Secondarily, the manual provides useful exercises between concepts to help the reader/improviser put into practice those concepts.In my opinion, I really enjoy the almost-academic approach to improv the manual provides. It not only explains the "WHAT" but the "WHY", breaking it down into more granular, micro-concepts. But, that's not for everybody; it can get tedious and overwhelming.I would highly suggest, nay, mandate, that if you purchase this book, you should be taking improv classes. Alone, you'll find the UCB Manual invaluable at helping you understand the concepts and language of great long-form improv, and the many forms it can take. But it won't help in a real-time performance without having actually put these concepts into practice; it's akin to telling someone how to skydive and actually jumping out of a plane. If you expect to read this manual, show up at a Improv Jam night, and crush it, you're likely going to end up disappointed.
Don't let the clever and cute book layout design (and concept-reinforcing drawings) fool you, every bit of this book is comedic gold.Really boils down tons of comedic acting theory into quickly understood and applied techniques and exercises that'll make just about any willing soul more authentically and more automatically clever under stress.Most essentially, this book will benefit anyone willing to look foolish and give all the spotlight to his/her teammates, which of course, is the golden ingredient that makes performances sizzle.Only wish I had bought this years ago.
Improv is something I've always been in awe of but have been too afraid to try because it seemed like you had to be a naturally hilarious super-genius to do it. I had read "Truth in Comedy" years ago (UCB's book is a billion times better) and knew the basic concept of "yes, and...," but it still seemed like there would be so much pressure to keep coming up with one original, funny thing after another on the spot. I didn't realize how many underlying rules existed to make things work. The idea of finding and then playing "The Game" of a scene makes so much sense. I guess I realized that there were patterns before, but now when I watch improv, I can see that everything really does have a structure and focus. Now that I've read this book and know basic terminology and concepts, it makes watching improv or sketch comedy even better because I can identify all these things. Because of the book, I have more of an appreciation for improv as an artform (does that sound lame?), and I'm finally ready to try it for myself. I start my first improv class next month in DC (god.. I wish I lived in NYC or LA), and even though I'm a generally anxious person when it comes to new things, I'm not all that nervous because I feel like this book has me very well prepared. I'm just ready to have fun now, and if I end up not completely sucking at it, I have a feeling that I will be returning to this book a lot. Besser, Ian, and Walsh-- THANK YOU!
I've read many books about improv and all of them except this one at the very least try to make the book interesting to read. This is just the same as reading a dry textbook about computer programming. Maybe it wouldn't be so bad if they didn't force you to buy it to take a class that already costs close to $500. If you're looking for a book about improv and not being forced to buy it for a class I recommend Will Hines's book, TJ and Dave's book, or taking classes at somewhere more affordable that offer the exact same training.
I'm someone who has formed an improv troupe that has been performing professionally in Central PA for several years. We had originally started doing short form improv but wanted to branch out into long form. This book was a true godsend. Obviously, no book is going to take the place of rehearsal or instruction. However, the book can codify the concepts and terms, making them easy to understand and incorporate into your rehearsal and classes. This manual is clearly written and well structured, explaining very complex concepts very well. It certainly doesn't hurt that it is written by the very best in the field.While it may not be a substitute for rehearsal, taking classes and actually seeing performances done in long form, this manual provides a wealth of information that provides a base and a language for building your performance. There is truly no better book on the subject.
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